Next, an animation based on work by illustrator Jon Burgerman for his forthcoming book Pens are my Friends, produced by Jason Arber and Wyld Stallyons.
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Gaeta explains how he used VR "bubbles" and a mysterious team known as the "world unit" to create the film's "poptimistic photo-anime" feel. The live action Speed Racer is saturated in a candy-colored palette so rich, audiences may just leave the theater with a contact sugar high.
View interactive samples of the digital building blocks behind the movie in a related online feature in VRMAG, "Speed Racer Uncovered."
And Gaeta adds a special message for Boing Boing tv viewers, who are already well accustomed to all things digital -- "For optimal viewing experience, see Speed Racer at a digital cinema or IMAX theater." He's not kidding, with a feature like this, analog projection just doesn't do the work justice.
(Special thanks: John Gaeta; Andy and Larry Wachowski; and David Pescovitz)
Chick, born in 1924, is the most published comic book author in the world. Over decades, his publishing company has released some 500 million fundamentalist evangelical "Chick tracts" warning of the eternal consequences of a life lived without salvation.
One of these cautionary cartoon gospels, "Somebody Goofed," attracted the attention of animator-directors Syd and Rodney a decade ago -- and they transformed it into the mixed media pastiche Boing Boing tv presents to you, dear viewer, today.
This 8 minute film debuted at the DFILM Digital Film Festival in San Francisco on November 7, 1997. DFILM founder Bart Cheever tells Boing Boing tv:
We showed it all over the world. No other film came close to provoking the kind of intense, gut-level reaction that we saw with Goofed -- people really loved it or really, really hated it. Religious people called it blasphemous and threatened to organize boycotts of our shows. Anti-religious people called it religious propaganda and wrote angry letters to theater owners where we screened the festival.To me, Goofed was the Birth of a Nation of After Effects films, and was really the aesthetic blueprint for much of what you see on TV today. So many people have copied their cool 2D photo-animations, and their style is used so heavily today on VH1, E, MTV, and so on -- it's easy to forget how groundbreaking the film was. No one had ever really done anything like it before.
I loved the way Goofed is this rich moving collage of newsprint religious tracts, album covers (can you spot Paul's Boutique?), clips from 70's gangster films, cigarette ads from old magazines etc. To me, Goofed represented a whole new way of collaging various forms of media.
UPDATE: We reached out to the filmmakers for some thoughts on this amazing piece of work, 10 years after its creation -- Rodney Ascher tells us...
Making Somebody Goofed was 50% art experiment and 50% self-designed AfterEffects tutorial. It was the first digitally animated project for both of us (I think...). It took at least 6 months to make the thing, maybe close to a year. I was running a Powermac 7500 (Syd's always had a model 1 or 2 levels faster than mine so he was probably behind the wheel of an 8500) and we got a gasp during a Q and A when we explained that rendering some of the QuickTimes took more than a day or two and transporting the uncompressed files demanded about 12 Jaz cartridges!Related posts on Boing Boing:It was designed to be something of a Rorschach test: we followed the original comic as rigorously as we could, resisted any temptation to change things around (for pacing, content, whatever) and allowed the audience to interpret however they liked. During its premiere at DFilm, the audience was mostly quiet and thoughtful but at a screening at the SFMoMA it played pretty much as a spoof with a lot of appreciative laughter. On the other hand, when it was shown at a screening for the Television Commercial Industry, the awkward, confused, slightly hostile silence was deafening. Happily enough, we've gotten very nice responses from both Chick Publications and The Suicide Girls.
Together, they are probably best known for the animated hip-hop classic DJ Qbert's Wave Twisters -- and Garon directed the opening animation sequence that appears in each and every BBtv episode.
First up in today's show, "Bear Witness III, Ego Trippin'" an animated music video for Dan the Automator. The video includes work from illustrators Lucasz Ataman, Aaron Piland Joshua Ellingson. Co-director Eric Henry describes the video as "[A] four-part study in hubris. Each section explores a different 'ego trip'— military, cosmetic, scientific, and engineering/industrial — and takes it to its logical conclusion. Pride cometh before the fall."
Part two of today's BBtv is an animated video for Buckethead, the eccentric metal guitarist who wears a bucket on his head. For his song "Spokes for the Wheels of Torment," Syd & Eric brought the hellish Rennaisance paintings of Hieronymus Bosch to life. Sinners are plucked apart by demon birds; unrepentant souls are tortured, sliced, and diced, in an epic headbanger's nightmare.
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